Italiano
I FIGLI DI MARLA is an art performative community, is a philosophy, is a production.
Arte Tag: violenza
La Musa e gli Artisti
In the work “The Muse and the artists”, two well-established contemporary painters create various works, all connected by the hints and suggestions provided by a young and politically incorrect muse. The muse always has the last word on the destiny of the completed works, which is to say that the works will become of public domain only if what the artists have realized satisfy the muse. Otherwise, the artists will have to destroy the works in front of her eyes, and no memory will remain about them. Hence why, of 10 works realized by the group in the last nine years, 9 have been completely lost. The identity of the three protagonists will be revealed only when the project will end because, appropriating the quote by Oscar Wilde, “The Muse and the artists” believe that “to reveal art and hide the artists is the ultimate end in art”.
Lilly Lablonde
I am a perfomer, writer and director for theatre and cinema. My artistic interest focuses on the desire to represent stories that hardly find their own space in the art world. I have always been very passionate about the topic of gender identity and sexuality.
In my performative works I experiment with different languages of art communication (video, literature, sound and poetry). In the last two years I have been mainly focused in the realization of short films: Immaginare T (2014) and The Second Closet (2015).
Under the artistic name Lilly Lablonde I created the international art project Bibliothèque Érotique that has the goal to work on the topic of erotism and sexuality through literature and the live performance.
Silvia Giambrone
Mainly I use conceptual art to illustrate my own social commentary with a focus on the relation between subject and power. Through several media including performance, installation, sculpture and sound, I explore body practices and contemporary gender politics making viewers aware of the silent and hidden ways power enters everyday life and affects relationships. I am interested in material culture and image culture and I dig into everyday life and practices to reveal, as it was almost an archaeological operation, the signs of both the physical and invisible evidences of the ‘subjectification’ process.