Italiano
“ShakinArt” is an artistic Italian duo, active in the field of visual arts and more particularly in Performing Art. Founded by Marco Zocca JeanPierre (musician, writer and visual artist) and Jonathan De Checchi (visual artist and theater actor), the artistic duo is supported by an ever-changing pool of young artists, such as: painters, musicians, actors, writers;
The aim is to go beyond the boundaries of the personal artistic features, channeling them in the implementation of an shocking art experience, designed to interact and communicate with the public in a profound way.
Tecnicha: installazione
ideadestroyingmuros
ideadestroyingmuros es un colectivo nacido en venecia en 2005. consideramos imprescindible posicionarnos políticamente en la creación artística. esta práctica ha hecho posible la elaboración de procesos geopolíticos y sociales que nos han atravesado, por medio de la interpretación y la traducción de nuestras experiencias singulares y colectivas.
la perspectiva que hemos compartido se basa en diferentes posiciones fronterizas en relación con los conceptos de nación, género, sexo, lengua y creación, con los cuales buscamos juntas nuevos modos de entender y de practicar resistencia, de realizar procesos creativos, recorridos auto-antropológicos y de autogestión. el auto-empoderamiento y la desgarradura de las relaciónes de poder que tejen lo cotidiano “ideal” nos ayudan a entender los mecanismos de mercado y refuerzan nuestra capacidad de negociación. gracias a esto, reencontramos una conciencia de nuestro valor, que no radica en la explotación y en la medida única del neoliberalismo, sino en la creación de nuevas formas.
Andrea Abbatangelo
Andrea Abbatangelo (°1981, Terni, Italy) makes sculptures and films. By applying a wide variety of contemporary strategies, Abbatangelo plays with the idea of the mortality of an artwork confronted with the power of a transitory appearance, which is, by being restricted in time, much more intense.
His sculptures are an investigation of concepts such as authenticity and objectivity by using an encyclopaedic approach and quasi-scientific precision and by referencing documentaries, ‘fact-fiction’ and popular scientific equivalents. By using an ever-growing archive of found documents to create autonomous artworks, he tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations.
Alice Pedroletti
Alice Pedroletti has worked as a photographer collaborating with design and lifestyle magazines, record labels, fashion brand, press agencies and PR agencies for important sectors of international corporations. She’s taught at the IED of Milan photojournalism and editorial research and lately, she’s worked on advertising. Simultaneously, she has always been interested in contemporary art and has set up exhibitions and experimental projects as well as participating
Simultaneously, she has always been interested in contemporary art and has set up exhibitions and experimental projects as well as participating in artist’s residencies and international projects.
Since 2012 she’s mainly focused on her artistic path, one based on the study of men and their relationship with the surrounding environment, on the space as the extension of a thought or as the result of void and absence, on time and its perception in relation to the artistic production and ultimately on the etymology of words that characterise her works. Her works largely employ mediums such as photography, video, writing, archiving, audio.
AMAE
As a collaborative singularity, AMAE focuses on the tensions generated in marginalised bodies by heteronormative society. Amae’s research contaminates traditional languages of art communication (poetry, video, sound, photography, installation, performance) with mass media via photographic works and performances, which are often broadcast live on the web. Working on international platforms across the EU, AMAE focuses on intersubjectivity and transfer in performance art; inheritance and mimicry of behaviour; mimicry against emulation; identification and conflict; primary society and contemporary society; time and space of assimilation of empathetic behaviours; behaviours towards otherness; transient bodies; augmented reality.